多伦多大学密西沙加校区
我现在就读于多大密村,这边不像主校那么繁华也没有主校那么难。相对好进入并且好毕业一点。我修了双专业,CS和MATH 平时除了回家能打几把dota基本没有其它时间去娱乐。所以想让准备去多大读书的学弟学妹们知道,你们的噩梦才刚刚开始,不说了我去写作业了…………
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毕业生就业率
申请入学率
南加州大学是位于加利福尼亚洛杉矶的一所私立研究型大学。它是由罗伯特·M·威德尼于 1880 年创立的,是加州最古老的私立研究型大学。入学被认为是高度选择性的。南加大于 2000 年凭其广泛的社区服务计划获时代杂志及普林斯顿评论选为年度风云大学。 南加州大学是美国大学协会(AAU)成员、环太平洋大学联盟成员,被卡内基基金会归类为「特高研究型大学」。
南加州立大学视频介绍
学校拥有遍布全球的庞大校友网络 – 特洛伊家族,其中包括有许多政治,商业,技术,艺术等领域的名人。学校拥有大量的国际学生来自 110 多个国家。因为它非常靠近好莱坞,所以它是一所电影明星和体育明星大量诞生的学校,也拥有一所顶级电影艺术学校。
最新年份 | 排名 | ||
---|---|---|---|
2020-2021年 | 福布斯美国顶尖高等学院 | 全美第 30 | |
2020-2021年 | CWUR 世界大学排名中心 | 世界第 51 全美第 33 |
|
2020-2021年 | 《好莱坞记者》美国电影学院排行 | 全美第 1 | |
2020-2021年 |
The Wrap 美国电影学院排行 |
全美第 5 | |
2020-2021年 | Niche 美国电影学院排行 | 全美第 1 |
在 2005 年,南加大于华府成立了联邦关系办事处,在阿罕布拉市也有健康科学校区,包含健康促进与疾病预防研究所(IPR)并且专注于公共卫生方面。USC 南加大于 2004 年五月更拓展到中国,其马歇尔商学院与上海交通大学安泰经济与管理学院合作,首度开设 USC 校海外的 EMBA 课程 — 美国南加大 —上海交大全球 EMBA 项目(GEMBA),此项目采用与洛杉矶该校全美排名前十名的EMBA项目完全相同的课程设置及教学模式,精选马歇尔商学院顶尖教授力量直飞上海上课,足见学校对此项目重视。此项目为 20 个月的在职项目,每隔 6-8 周密集授课 5 天,共有 13 个模块,其中第二及最后一个模块在南加大位于洛杉矶的该校授课,第十个模块为亚洲游学。 项目每年 5 月初开学,至今已有 12 年历史。
2004 年 3 月 2 日,由 Max Nikias 院长领导的南加大工程学院重新命名为 Andrew and Erna Viterbi 工程学院,用以纪念高通公司创办人 Andrew Erna Viterbi 夫妇,曾捐赠 5200 万美元给学校,这份礼物是有史以来工程学院改名最大的。Viterbi 工程学院不断的收到来自各方的捐赠,其中包含 2004 年来自硅谷的资本家 Mark Stevens 和 Mary 夫妇所成立的 USC Stevens Institute; 2002 年以不动产企业家 Daniel J. Epstein 为名的 Epstein 工业工程学系;2005 年美国能源公司首席执行长 John Mork 家族为名的 Mork 家族化学工程与材料科学系; 同样在 2005 年,美商温瑞尔公司首席执行长 Ken Klein 成立了 Klein 大学部工程机构; 而在发明指纹辨识系统的科进系统公司创办人谢明则在 2006 年捐赠了 3500 万美元给南加大谢明电机系,这是史上单一科系所收赠的最庞大的金额。
为此,我们:
南加州大学校徽
蒋伟文 – 台湾电视男艺人
严爵 – 台湾歌手(爵士表演系)
周予天-台湾歌手(经济系)
杨德昌 – 电影导演(曾获 2000 年戛纳影展最佳导演)
沈春华 – 台湾中视主播 (现任资深媒体人、关键新闻网沈春华关键秀主持人)(媒体管理硕士)
侯佩岑 – 前台湾年代新闻主播 (现任台湾艺人、演员)
赵 怡 – 前新闻局局长 (现任中华文化推广协会理事长)
陈景怡 – 前台视新闻主播陈骏霖 – 台湾导演(柏林影展短片银熊奖得主)尹崇珍 – 台湾电视女演员 (大众传播学系)
雷洁琼(1905-2011),获社会学系硕士于 1931 年;燕京大学、北京大学教授,中国民主促进会的主要创始人之一(第八届、九届主席)。
傅成玉,出生于 1951 年,后毕业于南加大石油工程硕士,现为中国石化公司董事长。
秦泗钊,自动控制专家,出生于 1963 年,先后求学于清华大学、马里兰大学,现任南加州大学 Fluor 讲席教授并兼任工学院副院长。
闫连山,山东人,通信电子专家,于浙江大学取得本科学历后求学于南加州大学,现任西南交通大学特聘教授,博士生导师。
何大河,民谣音乐人。
帕特·尼克松 – 第 37 任美国总统理查德·尼克松的妻子,于 1969 至 1974 年间担任第一夫人
莉莉·柯林斯 – 美国女演员
戴夫·法兰科 – 美国男演员
威尔·法洛 – 美国喜剧演员、演员、编剧
杰克·本德 – 美国电影和电视导演并同时是一名演员
乔治·卢卡斯 – 电影导演,最著名的作品为《星际大战》
克林·伊斯威特 – 演员、电影导演与制片
尼尔·阿姆斯壮 – (1970 年,航太空程硕士,2005 年,荣誉科学博士)第一位踏上月球的人类
查尔斯·伯尔登 – 美国国家航空航天局(NASA)局长,美国宇航员、海军陆战队少将
安德鲁·维特比 – 意大利-美国电机工程师和企业家,高通公司的共同创建者之一
郭盈恩 – 生于新加坡的色情演员。现居于美国
格兰·今原 – 美籍日裔电子和遥控专家,因参与著名电视节目《流言终结者》而出名。
大学公园校区位在南洛杉矶的西亚当斯区,约在洛杉矶市区南方2英里处。校园边界由北边与东北边的杰斐逊林荫大道,东南边的菲格罗拉街,南边的博览会林荫大道和西边的佛蒙特大街所组成。对于制片者来说,是一个非常好的校园场景,其中一些影视中哈佛大学,柏克莱加州大学场景均在此拍摄。大份建筑为罗曼式风格,工程学院,物理科学实验室是现代主义建筑,与校园内大多数的红砖建筑形成了强烈的对比,美丽的校园景致亦与校园外的市区环境形似一种对比。
位于洛杉矶市中心的东北边,该校区包含药学院,医学院等医疗相关之学术机构。南加大的附设医院及癌症医院也位于该校区。
南加州大学在洛杉矶的分校使其成为一所顶级电影学校。不仅会获得实习机会,还将有机会参加行业活动,并有更多与行业专业人士建立联系的潜力。电影艺术学院的选拔非常严格,只有大约 3% 的申请者被录取。动画,编剧,批判研究,媒体艺术,互动媒体和电影制作都有单独的本科课程。
著名校友的名单非常之多,但更令人印象深刻的是,基本上,在好莱坞任职的每个好莱坞办事处都雇用至少一名南加州大学校友。在整个学年和夏季,学校都可以在 NBC Universal,Lionsgate 和 Pixar 等地方获得出色的校外实习机会。这些机会包括声望很高的南加州大学初看电影节,许多行业专业人士都参加了该电影节。
申请截止日期为每年 1 月中。
Upload a portfolio of 10 to 15 images of artwork you’ve made within the last two years at roski.slideroom.com. Your portfolio should not only represent your best skills in art—in a variety of media or in a single area—but should also demonstrate the development of a personally unique idea or concepts that have inspired the work as a whole. Feel free to include in your portfolio work that you have done for assignments in class, work that you have done on your own, or both. We do not accept images in PDF format. For more insight in organizing your art work for portfolio submission see this Q & A with the Roski faculty admissions committee.
Upload your artist essay following the prompt in Slideroom
Your artist essay should not be longer than 500 words
Upload your list online at roski.slideroom.com. Your list of creative accomplishments should include, in chronological order, your practical experience in visual art or design, including high school courses, summer art programs, internships, private lessons, collaborative or interdisciplinary projects, and the like.
This should cover scientific or technological projects, residencies or internships that required ability in and integration of multiple disciplines or creative problem solving. Evidence may include abstracts, papers, photos, wire frames, schematics, video, etc.
Upload a portfolio of 10 to 15 images of artwork you’ve made within the last two years at roski.slideroom.com. Your portfolio should not only represent your best skills in art—in a variety of media or in a single area—but should also demonstrate the development of a personally unique idea or concepts that have inspired the work as a whole. Feel free to include in your portfolio work that you have done for assignments in class, work that you have done on your own, or both. We do not accept images in PDF format. For more insight in organizing your art work for portfolio submission see this Q & A with the Roski faculty admissions committee.
Upload your artist essay following the prompt in Slideroom
Your artist essay should not be longer than 500 words
Upload your list online at roski.slideroom.com. Your list of creative accomplishments should include, in chronological order, your practical experience in visual art or design, including high school courses, summer art programs, internships, private lessons, collaborative or interdisciplinary projects, and the like.
The Cinematic Arts Personal Statement will be read by the admissions committee as a measure of creativity, self-awareness and vision. We are looking for a sense of you as a unique individual and how your distinctive experiences, characteristics, background, values and/or views of the world have shaped who you are and what you want to say as a creative filmmaker. We want to know about the kind of stories you want to tell. Bear in mind that enthusiasm for watching films, descriptions of your favorite films and the involvement in the filmmaking process is common in most candidates. As a result, we encourage that you focus on your individuality. Note that there is no standard format or correct answer. (1,000 words or less)
A description of a four-minute film that contains no dialogue. It can be fiction or non-fiction. The story has to be communicated visually. (No more than two pages)
A dialogue scene between two people. Provide a one-paragraph introduction describing the two characters in screenplay format. (No more than three pages)
Describe a concept for a feature-length movie, fiction or documentary, which you would like to develop. (No more than two pages)
The portfolio list is a written record of the applicant’s creative materials. It should include a concise description of each project, the month and year the project was completed, the applicant’s creative role and the purpose of the project. The material, which does not need to be film- or television-related, should give an idea of the range and depth of the applicant’s creative ability. Formal recognition – such as awards, publications, jobs and exhibitions – should be noted. The name of the institution or publication should be included when listing creative materials prepared for a class or publication.
Describe a project that you worked on with multiple collaborators that left you feeling proud and fulfilled. Discuss your role in the project and explain why this collaboration was successful. Then, describe another collaborative project that left you unsatisfied. Discuss your role in the project and explain why this collaboration frustrated you. Finally, summarize what you learned from each of these experiences and describe the lessons you learned that inspire your future collaborations. (No more than two pages)
Submit a 30-60 second video of yourself speaking directly to the camera, in a single take with no edits, introducing yourself and explaining what will make attending SCA a successful experience for you and others.
Photo Option: Prepare a series of eight photographs you have taken which, when viewed in a specific sequence, portray a unique and original character or which tell a simple narrative story. Also include a one-page narrative about the character being portrayed in the photos. The images may either be black-and-white or in color. Please upload the photos in order of sequence. The one-page narrative must be uploaded in PDF format only.
The Cinematic Arts Personal Statement should reflect the applicant’s individuality and explain why he or she would like to study Animation & Digital Arts at USC. The faculty admissions committee will review this statement as a measure of the applicant’s creativity, intelligence, self-awareness, determination and vision. The statement should be a page and a half, and it should give the committee a sense of the applicant’s long-term goals and artistic ambitions.
The Portfolio may consist of life drawing or painting examples, 2D organic and digital art work as well as traditional and/or 2D/3D digital animation, integrated live action or motion graphics work or any other samples that represent the applicant’s aesthetic sense and capabilities. Please ensure that the portfolio is no longer than 15 minutes in length (12-15 still pieces). If submitting a joint project, please clarify your role in the production.
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. Any letters submitted via the Common Application will be used towards the requirement and do not need to be resubmitted via SlideRoom. Any additional letters may be submitted via the SlideRoom references system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
The Cinematic Arts Personal Statement should be a carefully prepared explanation of the applicant’s interest in joining the Division of Cinema and Media Studies that focuses on the unique elements the applicant will bring to our community. It should present a clear and accurate picture of the applicant, outline objectives in the area of cinema and media studies, and explain how attending the School of Cinematic Arts is vital to the applicant’s long-term goals. (500 words or less)
The Writing Sample should be an analysis of some aspect of film, television, new media, or even a literary work. We are especially interested in writing that illustrates your capacity for critical thinking and scholarly analysis. It is permissible to submit work completed in your high school courses. (Typical page length is 4-6 pages.)
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. Any letters submitted via the Common Application will be used towards the requirement and do not need to be resubmitted via SlideRoom. Any additional letters may be submitted via the SlideRoom references system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
Write a creative essay or short story that evokes an understanding of how you became who you are. This should reflect your individuality. It’s not a resume. (1-2 pages in length)
Two scenes with assigned parameters:
Write a scene between two very different kinds of people who get stuck in an elevator on New Year’s Eve. Please use screenplay format. (2-5 pages in length)
Write a scene between two people (e.g., a parent and child, roommates, spouses, etc.) who live together. The first character strongly desires to go out; the second desperately wants the first to stay home. Emphasize visual elements as well as dialogue. Please use screenplay format. (2-5 pages in length)
Convey in writing the greatest challenge you have faced and how you responded to it. The challenge may be of any kind you care to write about -physical, emotional, moral, creative, personal, professional or some other sort. (1-2 pages in length)
When did you want to be a writer? Why do you want to be a writer? What keeps you writing? (No more than 300 words)
One sample of your creative writing. This may be an excerpt with a note explaining the context. Writing in script form is not required. Please only include original material-do not submit a television spec episode of an existing television show. (Maximum of 10 pages. If you send more than 10, only the first 10 will be read)
The Creative Portfolio List is a list of all significant creative projects in which the applicant has participated, noting the role the applicant has played. Formal recognition such as awards, publications, and exhibitions should also be noted.
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. Any letters submitted via the Common Application will be used towards the requirement and do not need to be resubmitted via SlideRoom. Any additional letters may be submitted via the SlideRoom references system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
The Cinematic Arts Personal Statement should reflect the applicant’s individuality and explain why he or she would like to study Animation & Digital Arts at USC. The faculty admissions committee will review this statement as a measure of the applicant’s creativity, intelligence, self-awareness, determination and vision. The statement should be a page and a half, and it should give the committee a sense of the applicant’s long-term goals and artistic ambitions.
The Portfolio may consist of life drawing or painting examples, 2D organic and digital art work as well as traditional and/or 2D/3D digital animation, integrated live action or motion graphics work or any other samples that represent the applicant’s aesthetic sense and capabilities. Please ensure that the portfolio is no longer than 15 minutes in length (12-15 still pieces). If submitting a joint project, please clarify your role in the production.
A record of the applicant’s background and experience, listing creative projects in which he or she has participated. Formal recognition – such as awards, publications, jobs and exhibitions – should be noted.
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. Any letters of recommendation must be submitted via the SlideRoom Application. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
Writing Sample (please upload in PDF format under the “Forms” section):
The writing sample should be a review or analysis of some aspect of film, television, or new media; a discussion or application of critical theory; or a published article.
Letters of Recommendation (At least one letter from an academic reference.)
Three letters of recommendation are required. All letters of recommendation must be submitted via the SlideRoom reference system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been received. Please make sure that your recommendation letters arrive on time as the admissions committee meets immediately after the deadline.
Curriculum Vitae/Resume (please upload in PDF format under the “Forms” section):
The CV/resume should provide a record of the applicant’s background and experience, including both professional and academic settings. Formal recognition – such as awards, publications, presentations, and jobs- should be noted.
The Cinematic Arts Personal Statement will be read by the admissions committee as a measure of creativity, self-awareness and vision. We are looking for a sense of you as a unique individual and how your distinctive experiences, characteristics, background, values and/or views of the world have shaped who you are and what you want to say as a creative filmmaker. We want to know about the kind of stories you want to tell. Bear in mind that enthusiasm for watching films, descriptions of your favorite films and the involvement in the filmmaking process is common in most candidates. As a result, we encourage that you focus on your individuality. Note that there is no standard format or correct answer. (1,000 words or less)
A description for a four-minute film that contains no dialogue. It can be fiction or non-fiction. The story has to be communicated visually. (No more than two pages).
A dialogue scene between two people. Provide a one-paragraph introduction describing the two characters in screenplay format. (No more than three pages).
Describe a concept for a feature-length movie, fiction or documentary, which you would like to develop. (No more than two pages).
The creative portfolio list is a written record of the applicant’s creative materials. It should include a concise description of each project, the month and year the project was completed, the applicant’s creative role and the purpose of the project. The material, which does not need to be film or television-related, should give an idea of the range and depth of the applicant’s creative ability. Formal recognition such as awards, publications, jobs and exhibitions should be noted. The name of the institution or publication should be included when listing creative materials prepared for a class or publication.
Describe a project that you worked on with multiple collaborators that left you feeling proud and fulfilled. Discuss your role in the project and explain why this collaboration was successful. Then, describe another collaborative project that left you unsatisfied. Discuss your role in the project and explain why this collaboration frustrated you. Finally, summarize what you learned from each of these experiences and describe the lessons you learned that inspire your future collaborations. (No more than two pages.)
Submit a 30-60 second video of yourself speaking directly to the camera, in a single take with no edits, introducing yourself and explaining what will make attending SCA a successful experience for you and others.
Video Option: Create a narrative video that is no longer than five minutes in which you had a major creative role. The video can be live-action or animation, fiction or documentary, but it should reflect your aesthetic tastes and intellectual and emotional interests. You must specify what role(s) you played. Submit only one video. Multiple submissions will cause your application to be rejected.
Photo Option: Prepare a series of eight photographs you have taken which, when viewed in a specific sequence, portray a unique and original character or which tell a simple narrative story. Also include a one-page narrative about the character being portrayed in the photos. The images may either be black-and-white or in color. Please upload the photos in order of sequence. The one-page narrative must be uploaded in PDF format only.
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. Any letters of recommendation must be submitted via the SlideRoom Application. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
Write a creative essay or short story that evokes an understanding of how you became who you are. This should reflect your individuality. It’s not a resume. (1-2 pages in length)
Write a scene between two very different kinds of people who get stuck in an elevator on New Year’s Eve. 2-5 pages. Please use screenplay format.
Write a scene between two people (e.g., a parent and child, roommates, spouses, etc.) who live together. The first character strongly desires to go out; the second desperately wants the first to stay home. Emphasize visual elements as well as dialogue. 2-5 pages. Please use screenplay format.
Convey in writing the greatest challenge you have faced and how you responded to it. The challenge may be of any kind you care to write about -physical, emotional, moral, creative, personal, professional or some other sort. (1-2 pages in length).
One sample of your creative writing. This may be an excerpt with a note explaining the context. Writing in script form is not required. Please only include original material-do not submit a television spec episode of an existing television show. Maximum of 10 pages. If you send more than 10, only the first 10 will be read.
A record of the applicant’s background and experience, listing education, employment, etc.
A list of all significant creative projects in which the applicant has participated, noting the role the applicant has played. Formal recognition such as awards, publications, and exhibitions should also be noted.
Three letters of recommendation are required. All letters of recommendation must be submitted via the SlideRoom reference system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been received.
The Cinematic Arts Personal Statement is an opportunity to express your ideas about and interest in Interactive Entertainment, help us to understand your background and creative potential, and explain why you would like to study interactive media production at the School of Cinematic Arts. This statement will be read by the admissions committee as a measure of creativity, self-awareness and vision. Your statement should give the committee a sense of your long-term goals and artistic ambitions. It should answer the questions: “Who are you as a person? What are you trying to say, using interactive media? Why do you want to attend the Interactive Entertainment Program? What are your career/professional/artistic goals?”
The Creative Portfolio List is a written record of the applicant’s creative material. Please list all of your creative work, when and in what capacity it was created. For example, was the work made in a class or for a show? What was your role? List your most recent work first and list related work as a single entry, such as a group of drawings completed for a single showing. If you have created interactive software, animation or games, please be sure to list these on your portfolio and describe the development environment for the piece. For example, the program or language used. If you have created paper-based games, please list these as well. The name of the institution or publication should be included when listing creative materials prepared for a class or publication.
Describe a project that you have worked on that was a failure. Describe the situation in which the project took place, the objectives of the project and others (if any) who were part of the project team. Be clear about your role in the project. Describe how and why the project failed. Finally, summarize what you learned from the project and what you would do differently next time. (No more than one page)
The creative work sample represents your best or most relevant work. Choose a major piece of work that you are extremely proud of for your creative sample. If you have completed a game or animation project, you should strongly consider including this. Otherwise this work might be digital or analog, it or may be a film, photo essay, script or story. For visual art, you may submit a small selection of pieces. Make sure your piece is easily viewable by the admissions committee. If you are uncertain that your software will run, include screenshots and a video play-through just in case.
You should keep in mind that the committee has limited time to look at each applicant’s file, so send a creative sample that can be viewed, played or read in less than 10 minutes. Please limit the length of a written creative sample, e.g. movie scripts and prose should be no more than 20 pages.
We are looking for individuals who show both proven talent and personal initiative. Use the creative sample to show us your best work and the portfolio to show us the breadth of your creative endeavors.
For physical games and creative pieces, you can submit a PDF of the rules or text, along with video, photographs and other documentation. An online link will allow you to showcase several of your works, giving the committee a better sense of your skills and talent.
Three letters of recommendation in no particular format are required. At least one letter of recommendation must be an academic reference. All letters of recommendation must be submitted via the SlideRoom references system. Applicants are responsible for requesting letters of recommendation as well as confirming that they have been submitted by the deadline.
我现在就读于多大密村,这边不像主校那么繁华也没有主校那么难。相对好进入并且好毕业一点。我修了双专业,CS和MATH 平时除了回家能打几把dota基本没有其它时间去娱乐。所以想让准备去多大读书的学弟学妹们知道,你们的噩梦才刚刚开始,不说了我去写作业了…………
需要申主校Rotaman是要录视频的。你首先要有个电脑可以有摄像头和麦克风,网速要好。一Video和两个Essay。一个是100字20分钟内写完,一个是250字30分钟写完。题目我记得我当时做的事,你最尊敬的人,和珍惜的物品。video是 make an impression的一次经历。一分钟准备录两分钟。然后随便写个Feedback就可以了。其实准备充分问题不大的
我目前是utm大三ccit和eco的double major的学生,高中从多伦多毕业,大一的时候来到mississauga这个陌生的城市感觉很孤独,后来慢慢认识了学校里的同学。每天一起泡图书馆复习,一起赶due,一起打狼人杀。可以说是一段痛并快乐着的经历哈哈哈。给utm4星可能就是因为mississauga这边实在没啥好吃的吧 :)))
2009年进多大,2013年Rotman毕业…太多想说的反倒没什么可说,主校区百余栋建筑没谁在毕业前走过;忘不了Robarts门口每日定点守候的餐车;透过图书馆落地窗看过的日升日落… 反正是人生中最难忘怀的4年。
2012-2016在utm度过 整个学校坐落在森林里 比较安静 而且经常能看见野生的鹿在学校里走 比较酷眩。教学楼都很新 有些在我走的时候还在建造 现在估计造完了 所以设施来说没得说。gym也是多大三个校区里最好的 可是平时比较懒 没怎么去~ 对于周边生活来说 吃饭的点无非黄金广场周边那几家 最近也有新开几家别的餐厅 可以叫FoodHwy点餐平台 也算比较方便啦。逛街的话有sq1 但是相比起来我还是prefer稍远一点的sherwaygarden 那个mall超高大上 推荐一下~ 总体来说在utm的四年下来还是很愉快的。推荐五星好评~ 有miss的大小事可以滴滴我 wx:309437451
多大有三个校区,外面都传言两个分校比较水,但实际去过才会知道一点都不简单!每学期都有学长跟我说有水课,但教授出题仍然难得要死,天天都在忙着赶due ,所谓的简单只是相对于那些学霸来说的。要是想拿个不错的成绩,天天熬夜就更是少不了的,考试之前基本就是每天睡在图书馆的
不错